Current - PhD in Creative Practice, School of Arts and Media, University of New South Wales. Thesis: What is Seen: Evidencing the Sensory in Performance and Textile Art
2011 - Bachelor of Creative Arts (First Class Honours, Visual Arts Major), University of Wollongong. Thesis: Mediating Experience: Action, Site and Documentation in Contemporary Art
2007 - Certificate IV in Fashion Design and Industry Practices, West Wollongong TAFE.
SOLO EXHIBITIONS / PERFORMANCES
2016 - Spider, Ideas Platform, Artspace, Sydney
2015 - Actions for Sensory Disruption, Bus Projects, Melbourne
2015 - Cat and Mouse, Firstdraft Gallery, Sydney
2012 - you must follow me carefully, performance series at: Firstdraft Gallery, Sydney; Sawtooth ARI, Launceston; Inflight ARI, Hobart; Firstdraft Depot, Sydney
2011 - Dialogues, honours graduate show, Gallery 5: Crown Lane, Wollongong
2011 - Off the Route, performance series at: Gallery 5: Crown Lane Wollongong; University of Wollongong, Wollongong
2011 - Unknowns: Works in Progress, solo show, Gallery 5: Crown Lane, Wollongong
GROUP EXHIBITIONS / PERFORMANCES
2018 - Unfettered, curated by Sarah Douglas and Elizabeth Pedler, Cullity Gallery, UWA School of Design, Perth (forthcoming)
2017 - A Parliament of Owls at Underbelly Arts Lab and Festival, collaboration with Susie Anderson, Holly Isemonger, Louise Curham, Emily Stewart and Maria White, National Art School, Sydney
2015 - To the Lovers of the true and the beautiful, curated by Anna McMahon, TWENTY THIRTY SEVEN, Sydney.
2015 - _____, curated by Alex Gawronski and Biljana Jancic, Margaret Lawrence Gallery, Melbourne.
2013 - Director’s Cut: Sarah Miller, Past Tense / Future Perfect, curated event for You’re History Festival, Performance Space, Sydney.
2013 - Public Thinking, curated by Susan Gibb, 55 Sydenham Rd Marrickville NSW 2204 AU, Sydney.
2013 - The Situated Line, curated by Michele Elliot, Articulate Project Space, Sydney.
2012 - Winner!, curated by Mish Grigor, Firstdraft Gallery, Sydney.
2012 - appearing as process, curated by Laura Hindmarsh, Sawtooth ARI, Launceston.
2011 - Nothing to See Here: Tunnel/Vision, student festival of installation and performance, University of Wollongong.
2011 - Hatched: National Graduate Show, a national survey of graduate artists from university art schools, PICA, Perth.
2011 - Intersections, curated by Adrian Clement, At The Vanishing Point, Sydney.
2011 - Paperplans, The Papermill, Sydney.
2011 - What You See is What You See, Project Contemporary Artspace, Wollongong.
2010 - Belljar, UOW BCA graduate show, University of Wollongong, Wollongong.
2010 - Nothing To See Here: The End in Sight, student festival of installation and performance, University of Wollongong, Wollongong.
2010 - In and Around: Negotiations with Time and Space, Project Contemporary Artspace, Wollongong.
2018 - Etalon, a durational performative walk by Sara Morawetz [participant/performer].
2015 - Press Her, by Madeline Beckett, Kudos Gallery, Sydney [performer]
2015 - Wish You Were Here, by Friends with Deficits performance at Underbelly Arts Festival, Sydney, [costumer designer/maker]
2013 - Cat and Mouse (workshop), for Critical Animals Research Symposium, Newcastle, in collaboration with Joanna Downing
2013 - Relay (iteration 2. cycle 5), as part of Exist-ence 5, PACT, Sydney and London, performed action with Lauren Brown
2013 - Relay (iteration 2. cycle 4), IO Myers Studio, Sydney and PICA, Perth, performed action with Lauren Brown
2013 - Relay (iterations 2. Cycle 1, 2, 3), Alaska Projects, Sydney, performed action with Lauren Brown
2012 - Relay (iteration 1), Alaska Projects, Sydney and Performance Space, London, live and mediated performance with Lauren Brown
2012 - We Are Formatted Memories, performative action with Lauren Brown and Laura Hindmarsh, Innovation Campus, Wollongong and online
AWARDS AND RESIDENCIES
2017 - Clothing Store, artist in residence (August), Carriageworks, Sydney
2013-2017 - Australian Postgraduate Award
2015 - Artist in Residence, Bundanon Trust (November)
2014 - Archive_ Studio Residency, Archive_ Space (Aug-Oct), Newtown
2012 - Firstdraft Emerging Artist Studio Residency (June-Sept), Firstdraft Depot, Woolloomooloo
2012 - Artist in Residence (May), Innovation Campus, University of Wollongong
2012 - Artist in Residence, Bundanon Trust (Feb), Bundanon with performance collective Building 25
2011 - Professor Diana Wood Conroy Award for Excellence
TALKS / WORKSHOPS
2017 - Body Traces: Felt and Action workshop, Carriageworks Sydney
2017 - Cut and Cloth: Touch in Yoko Ono's 'Cut Piece', PSi #23 'Overflow' Conference, Hamburg
2015 - Things that are left behind: preserving performance art and performance, panel discussion, Crack Theatre Festival, Newcastle
2014 - Sensorial Propositions / Spaces of Resistance: Lygia Clark and Performance, AAANZ Geo:critical Conference, Launceston/Hobart
2013 - Rethinking Participation: Artist-Audience Collaboration, AAANZ Inter-discipline Conference, Melbourne
2013 - From the Grass Roots to the Grand Gesture, panel (with JK Anichoce, Sarah Salazar and David Finnigan), Critical Animals Sympoisum, Newcastle.
2013 - Research and Creative Practice, panel discussion, 30 years of Creative Arts postgraduate week, University of Wollongong, Wollongong.
2013 - Saturday Session #4 Performance Art, Live Art, Action Art Now, informal panel discussion at PACT, Sydney
2012 - you must follow me carefully, Artist Talk, MCA Young Ambassador’s Program, site visit to Firstdraft Depot, Woolloomooloo
2012 - Notes on Emerging, guest lecture with Laura Hindmarsh, University of Wollongong, Wollongong
Current - Sessional Academic, Faculty of Law, Humanities and the Arts, University of Wollongong. Courses taught include visual art foundation studies, textile studio practice, installation art, media arts and contemporary critical theory.
Current - Research Assistant, AusStage Phase 6: Visualising Venues in Australian Live Performance Research.
2015/2018 - Sessional Tutor, Faculty of Arts and Social Sciences, University of New South Wales. Courses taught: Theatre and Current Events, Performing Popular Culture.